Reading Bodies

By Dr Sally Flint, Project Partner for Reading Bodies and Creative Lead for We Are the Possible

‘We need / To leap / Right now / To the next stage / Of our evolution.’
Ben Okri

Burnout, Overload, and Resilience are words that in 2024 challenge analysis in literature, healthcare, and the media, especially alongside trending headlines which can often include crisis, doomsday, disaster, pollution, guilt, greenwashing, catastrophe, apocalypse, anxiety – all used to stress the global climate emergency, and the need to urgently change the way we consume and live. It’s like being in a crammed washing machine of words on a fast spin of environmental and societal problems. A recent article shows that neurologists are ‘alarmed’: ‘Everybody has a Breaking Point’: how the climate crisis affects our brains’  (C. P. Aldern, Guardian, 2024). While writing this, the latest pop-up on my PC reads – ‘but don’t confuse burnout with being busy!’  

Therefore, it was intriguing and timely to deliver a creative writing workshop where we can create a collection of writing inspired by the Reading Bodies project using Burnout, Overload and Resilience as launch pads. To do this, as a writer, editor, and creative writing lecturer working at the interface of science, health, education, translation, and the arts, I adapted a workshop and editing methodology I established to ‘share insights across languages and academic disciplines.’ At the workshop, we considered different approaches to the theme of burnout, including workplace and caring pressures, strategies for dealing with stress, and connections with individual health.

I used a unique collaborative creative writing approach developed in 2017 when working with Met Office scientists on ways to communicate climate data to the public through the arts and science. On a NERC-funded yearlong project, Climate Stories, led by renowned climate scientist Professor Peter Stott, a group of climate scientists and art practitioners shared and experimented with narrative forms. Both willing and wary, we joined in creative writing, performance, printmaking, and music workshops. As the Creative Writing Lead, I encouraged writing that ‘showed’ working in the field of climate change, and the scientists’ stories that erupted were startling, from ice cracking in the Arctic to fleeing forest fires in South America. This storytelling approach helped scientists understand how using the senses to explain data – what they could see, hear, taste, touch, and smell – brought to life what it’s really like on the frontline of climate change.

Then, as the Covid crisis spread and the world stalled, Cecilia Mañosa Nyblon (Director, We Are the Possible, University of Exeter), had an inspired vision to bring together science, health, education, translation, and the arts to communicate to broad audiences how human health relies on maintaining, restoring and protecting planetary health and ecosystems. Following a unique creative and editorial process, a collection of poems was published, and with the support of the Met Office UK, we delivered One Chance Left – 12 poems co-created by climate scientists and health professionals at an event in the first-ever Science Pavilion at the COP26 climate conference (Glasgow 2021). The poems, underpinned by science and health research, received such a positive reaction that by 2022 our team had grown to include not only scientists and health professionals, but educators, translators, youth leaders, and artists in the UK and Egypt, using a now proven creative collaborative way of working which resulted in We Still Have a Chance – 12 stories for 12 days of COP27  (Egypt 2022) which reached over 28 million people and counting.