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Events News

Reading Bodies Workshop II, University of Exeter, 23 May 2024

Thanks to all our wonderful speakers from the Universities of Belfast, Boston (USA), Cambridge, Exeter, Kent, London and Sheffield, for our second international Reading Bodies workshop, hosted by the University of Exeter on 23 May 2024. The workshop was organised by Prof. Katharine Murphy (Principal Investigator for Reading Bodies) and Dr Olivia Glaze (AHRC Postdoctoral Researcher). Prof. Nicolás Fernández-Medina (Chair of Romance Studies at Boston University) delivered a brilliant keynote on Health, Disease, and Society in the Early Ramón Gómez de la Serna. The programme included specialists in Spanish, Portuguese, English, French and German, and a hybrid Roundtable on interdisciplinary approaches to Reading Bodies in Literatures and Cultures.

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Reading Bodies Workshop at the ILCS, Senate House, 26 April 2024

Thanks to all our fantastic speakers, chairs, and Dr Patricia Novillo-Corvalán (University of Kent) for a wonderful keynote lecture. Thanks also to members of the research network and all attendees who came along on 26 April 2024 to support our first academic workshop, contributing to stimulating conversations about Reading Bodies: Narrating Illness in Spanish and European Literatures and Cultures (1870s to 1960s). The workshop was organised by Prof. Katharine Murphy (Principal Investigator for Reading Bodies) and Dr Olivia Glaze (AHRC Postdoctoral Researcher). A recording of selected papers from the workshop is available on the ILCS website.

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Events News

Reading Bodies Workshop 2 – University of Exeter – 23 May 2024

The second academic workshop for this project will be held at the University of Exeter on 23 May 2024. All are welcome to attend – please reserve your place here. For more information about the programme, visit our events page.

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Reading Bodies Research Network

The Reading Bodies Research Network has met regularly since November 2023 to discuss our project research questions, updates on our chosen topics, and development of shared interests which are grouped into 3 themes: gender and the body; society, illness and representation; transnational and decolonial perspectives. For more information, please visit our Network and People pages.

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Articles

The ‘Sick Girl’ Film and Italian Teen Female Audiences

By Danielle Hipkins, Professor of Italian Studies and Film, University of Exeter

Drawing connections with the AHRC-funded project A Girl’s Eye View 2021-2024, Prof. Danielle Hipkins reflects on audience responses to the genre of the ‘sick girl’ film.

The romantic film depends on the obstacle. Otherwise, what happens? Two people meet, fall in love, and live happily ever after. That is the outcome we want, but it’s not the story we want. It’s far too short, and likely boring.

Serious, terminal even, illness presents a narratively rich obstacle, and the canon of romantic films is strewn with lovers lost, slowly and painfully, or sometimes recovered through the sheer power of love alone. There are variations in outcome, and also in the distribution of illness: maybe he’s ill, maybe she’s ill, maybe they’re both ill. Sometimes they both survive, but usually it’s just one of them.

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Articles

Considering Female Mental Illness in Novas Cartas Portuguesas (1972): The Hysterical Woman and her Dog

By Dr Olivia Glaze, AHRC Post-Doctoral Research Associate, University of Exeter

References to madness, insanity, melancholia, and hysteria have long plagued the diagnoses of female mental illness. The crazed, raving, and unstable woman is a prevalent trope that has long persisted within Western literature, from Ophelia in Shakespeare’s Hamlet (1599-1601) and Bertha Mason in Brontë’s Jane Eyre (1847) to Gilman’s The Yellow Wallpaper (1892) and Flaubert’s Madame Bovary (1856). Historically, madness, hysteria, and melancholia have been considered female afflictions due to an assumed inherent feminine proximity to wrecked nerves and sexual disorders – indeed, the word hysteria is derived from the Greek word “hysteron” or womb. In the late nineteenth century, understanding the ‘female’ illness of hysteria was a central focus of studies, led by the French neurologist Jean-Martin Charcot at his infamous Parisian asylum, Salpêtrière. Charcot transformed the hospital into an internationally renowned site of neurological teaching, with Sigmund Freud and Pierre Janet amongst his students.