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Sick Tales: Body Horror in the Ghost Story

By Louise Willder, copywriter at Penguin Books and author of Blurb Your Enthusiasm: An A-Z of Literary Persuasion (London: Oneworld Publications, 2022), a Times Book of the Year.

The one guarantee about living in a human body is that, at some stage, it will let you down. Our bodies are remarkable things, but they also age, ache, break, change, leak, bleed, scar, get infected and cause us pain. We cannot escape it, and it scares us. Consequently, fear of our bodies, of illness and imperfection, is at the heart of the literature of fear, whether a traditional English ghost story or a fantasy horror novel. ‘Body horror’ is an established genre in film, with directors such as David Cronenberg and Julia Ducournau exploring and exploiting the degeneration or destruction of the physical body with gory glee. But well before this, the same fear of things happening to our bodies ran through supernatural tales: of invasion; of contagion; of transformation; and of mutilation.

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Reading Illness in fin-de-siglo Spain: Baroja’s Madrid Novels

Welcome to the AHRC-funded project on ‘Reading Bodies: Narrating Illness in Spanish and European Literatures and Cultures (1870s to 1960s)’ at the University of Exeter. As the Principal Investigator, my interest in this area of research has developed over several years, starting with representations of pathology in the works of turn-of-the-century Spanish author Pío Baroja. He studied medicine in Madrid and Valencia, submitting a doctoral thesis on ‘Pain. A Psychophysical Study’ in 1893, and practised for a short time as a doctor in the Basque town of Cestona before turning definitively to writing. His disillusionment with studying medicine is reflected in a famous semi-autobiographical novel, El árbol de la ciencia (1911) [The Tree of Knowledge].